TRACES

 

A poet leaves traces and no evidence, because only traces allow dreams.



4 COLORS,  1 x 1m

4 COLOURS, 1 x 1m


AND COLORS FLYING,  1,40m x 2m

... and colors flying, 1,40m x 2m

Finished 20. Sept.,  2019  -  GLOBAL  WEEK FOR FUTURE - there is no PLANET B


"Well, I dreamed I saw the silver spaceships flying in the yellow haze of the sun.

There were children crying AND COLORS FLYING all around the chosen ones.

All in a dream, all in a dream the loading had begun.

They were flying mother nature's silver seed to a new home in the sun."

Neil Young, 1970


 A CITY,   1,40m x 1m  and  CAPOLAVORO No 1, 2m x 1,40m

A CITY, 1,40m x 1m CATHEDRAL, YELLOW CERBERUS and a CAR
CAPOLAVORO NUMERO UNO, 2m x 1,40m

TRACES OF TIME, 2016   1,50m x 2m

Traces of Time


Trace is one of the most important concepts in Derridian deconstruction.

In French, the word "trace" has a range of meanings similar to those of its English equivalent, but also suggests meanings related to the English words "track", "path", or "mark".

Trace can be seen as an always contingent term for a "mark of the absence of a presence, an always-already absent present".


Traces of Time,  detail


Traces of Time,  detail


Traces of Time,  detail


Traces of Time,  detail


Derrida’s concept of "trace" is quite similar to Heidegger’s concept of Dasein, although from different perspectives. Here, we see the relationship between Heideggerian existentialism and Derridian concept of "trace", which, in turn, will also work as an indicator of a very close relationship between existentialism and deconstruction.

Derrida’s first indebtedness to Heidegger lies in his use of the notion of sous rature (‘under erasure’). To write 'Under erasure' is to write a word, cross it out, and then print both word and deletion.


„ ... paint both:  form and deletion!“

thx wikipedia ...                                              



LES TRACES SOUS RATURE, 2016   3m x 1,40m


Les traces sous rature








NON AVERE PAURA 

Non Avere Paura, 1m x 1,40m


MARE VIRTUTIS

MARE VIRTUTIS, 1m x 1,40m



LAVA  all 1m x 1,40m

LAVA, 1m x 1,40m


    Love is Gold:  

   "lost" details


Disclose concealed meanings that create new possibilities for imaginative expression.

" The guiding insight of deconstruction is that every structure -- be it literary, psychological, social, economic, political or religious -- that organizes our experience is constituted and maintained through acts of exclusion. In the process of creating something, something else inevitably gets left out.

... transparent truth and absolute values elude our grasp.

In a complex world, wisdom is knowing what we don't know

so that we can keep the future open."

Quotes: What Derrida Really Meant, by Mark C. Taylor, New York Times, Oct. 14, 2004wisdom is knowing what we don't know so that we can keep the future open.

Inspired by  the song: LOVE IS GOLD  - you can find in your heart      thx Inga!

LOVE IS GOLD, 2018      1,40m x 2m  


Love is Gold, 1,40m x 2m


NEW:

"Old Stuff"

Paintings 1985 - 1994


All paintings were created between 1985 and 1994.

Mostly large formats, all Airbrush on wooden plate.


1994 - ELLE-Cover, 1,5 x 2m

ELLE-Cover, 1994

 


1994 - "Happiness is a warm gun"


1992 - 1993 "Barbarella psychedella"

 




1990 "Haut Gout" 2m x 2,8m


                                                                                             




 


1988 "Sister of Mercy" , series/4 paintings ca. 2,5m x 1,5m


Making of "SOULFOOD":
Music: Tony Joe White